Lars Eidinger plays the “silent guest” for the last time in “Borowski and the good person”.
Lars Eidinger, this year Salzburg Jedermann, plays Schiller – namely the treacherous Franz Moor in “Die Räuber”: “Everyone has equal rights to the greatest and the smallest, demands are destroyed, drive to drive and power to strength. The law lives with the overwhelming, and the barriers to our strength are our laws. ”He sits in a wheelchair, as an overgrown, then stands on a chair, shaking his legs, and puts a noose around his neck. And with everything has a suspiciously sharp, nasty sparkling view of the surroundings.
Because, wait a minute, Lars Eidinger actually plays the woman murderer Kai Korthals, who plays Franz Moor in the prison theater group. And, you guessed it right away, planning to break out. It won’t be difficult for him.
On this Sunday evening, Sascha Arango, script, and Ilker Catak, director, end the “silent guest” Tatort trilogy – three films that can certainly teach the viewer the creeps – with “Borowski and the good person”. The good person, that is of course Kai Korthals, who in any case does not consider himself a bad person. In addition, female voices off-screen testify to it at the beginning, has numerous correspondents and admirers who either praise his “beautiful eyes” or see him as a “victim of the system” Violent offender is called hybristophilia). The police suspect, not without good reason, that Korthals is on the way to one of the letter writers.
The police? In this last part, too, it is a duel, as Klaus Borowski, Axel Milberg, can still have so little to do with recapturing the psychopath. The prison psychologist told Korthals that he had “a friend: Klaus”. And so colleague Mila Sahin, Almila Bagriacik, unfortunately has to be the one who lets herself be overwhelmed like a sheep and says rather stupid things to Borowski like: “You admire him”, that is, the murderer. The Kiel duo was already further, more interesting.
In general, until it finally comes to the last showdown, the police are once again clumsy and, in the face of a serial offender, strangely careless. Borowski is no exception, who has to perform a veritable, but completely pointless cliff or rather balcony hangover. And who will save him? Exactly.
But in “Borowski and the Good Man” there is, in addition to the all too forced, Lars Eidinger, who is once again an evil, but also unpredictable, psychopath to his heart’s content. Second, there is Sabine Timoteo, who plays a blind person who in all innocence accepts the challenge of seeing the good in the bad. And who even gets into the bathtub with the personified evil and lets him brush her teeth (a great scene). Thirdly, there is suddenly Victoria Trauttmansdorff in the role of Alma Kovacz, who accepts the challenge of seeing the possibilities and opportunities in Borowski’s chaotic apartment and being his Mary Poppins. “I’ve seen worse kitchens,” she says with serene glee. May Borowski have no desire and no time to clean up himself for many more episodes.
“Tatort: Borowski and the good person”, ARD, Sun., 8:15 pm.
