The new Mazda CX-60 is beautifully styled, dynamic and exudes the intelligence and elegance of the latest Kodo design. Specifically, it exploits the Japanese concept of the Ma, which represents the calm and majestic beauty of empty space, and which fits perfectly with the solidity of a typical SUV architecture, with front engine and rear wheel drive. The interior design, elegant and with excellent qualities , is also unmistakably Mazda, with nods to Japanese aesthetics. For example, it plays with concepts such as Kaichô, which is the mixture of different materials and textures to generate a point of irregularity, combining maple wood, nappa leather, refined Japanese fabrics and chrome details. Musubu or the art of knotting and connecting is also present, which has served as inspiration for the details of the seams on the dashboard panel. The treatment of the maple wood moldings is also inspired by the Hacho, another Japanese aesthetic concept that exploits asymmetry and intentional irregularity. The fabrics used have different fibers and patterns that respond to changes in lighting.
But if the flagship of the Hiroshima brand achieves a great improvement in something, it is in the infotainment section thanks to the advanced systems it has, among which the Mazda Connect with wireless Apple CarPlay and Android Auto, the MyMazda application and an improved sound system, with the possibility of incorporating a 12-speaker BOSE high-quality audio system that ranks as one of the best on the market. Mazda demonstrates with this, once again, its priority: the connection between driver and vehicle , known under the Jinba Ittai concept.
This experience seeks to attend more than ever to the individual needs of each driver. Mazda’s innovative Driver Personalization System recognizes the person behind the wheel and automatically adjusts the environment based on their physical characteristics and personal preferences : seating position, steering wheel, mirrors, Head Up Display and even settings. sound system and air conditioning.
